The mission of Tacoma Opera is to inspire, educate and uplift our audiences in the Puget Sound region by presenting productions of high artistic quality using a combination of nationally known artists, local professionals and emerging young artists. We seek to heighten the awareness of the value of the arts and music in our community by providing dynamic opera productions and music education programs for diverse audiences.
We are Tacoma’s own professional opera company, proudly serving the south Puget Sound region and the entire Pacific Northwest by offering traditional and non-traditional operatic productions in an intimate, atmospheric setting that allows our audiences to experience opera in a uniquely personal way, touching the heart and stimulating the mind. Tacoma Opera presents nationally established artists and gives gifted young professionals opportunities to polish their art in our high quality, yet widely affordable productions.
Our philosophy is that Opera should be accessible to everyone and we are proud that our audiences come from every walk of life. So no worries if you don’t own a tux or an evening gown. Jeans and tee shirts are totally cool. But dressing up is fun too! So if you want to paint the town red, go for it! Whatever makes the evening special for you, that’s what counts. With every production, we strive to engage and move our audiences to the fullest, so that at the end of each performance, everyone goes home feeling uplifted and renewed.
Tacoma Opera was founded in 1968 as the Tacoma Opera Society and presented its first production, Die Fledermaus at the Eastvold Auditorium on the Pacific Lutheran University campus. In 1981, with the help of Dr. Hans Wolf, then director of community outreach for Seattle Opera, the company turned professional and changed its name to the Tacoma Opera Association. Wolf became the new director of the company and a production of Die Fledermaus was successfully staged that year. Under Wolf’s leadership and along with the organizational guidance of long-time executive director, Anne Farrell, the company produced many operettas and grand operas over the next several years. The company also produced numerous premieres including the West Coast premiere of Offenbach’s Christopher Columbus and the world premiere of a brand-new opera, The Pied Piper of Hamelin, by Seattle composer Carol Sams.
In the late 1990s, Both Wolf and Farrell retired from their positions and Rod Gideons became the executive director of the company and David Bartholomew the artistic director. During their time, the company continued to expand by producing larger scale mainstream operas. Kathryn Smith came to the company in 2003 as general director, extending the continued growth of the company until the economic downturn of 2008, after which she successfully shepherded the company through some very difficult financial times. She left Tacoma Opera in June of 2011 to take a position as general director of Madison Opera in Madison, Wisconsin. Noel Koran is the current general director and comes to Tacoma Opera from a long background in opera, having been a singer, stage director, producer, educator and arts administrator in a career spanning over 30 years. Tacoma Opera has grown from a little-known company outside of Tacoma into a regional opera company attracting audiences from the entire Pacific Northwest.